| Year |
Selected Group Exhibitions |
2007/08 |
- Body Pleasure / Body Pain, Fotomuseum Winterthur, Switzerland
- Cartografías Disidentes, Sealex, Museo de Arte de Chile, Santiago, Chile
- Current History, Seville Biennial
- Time Present, Time Past, Istanbul Modern, Istanbul
- Barcelona 1947-2007, Fondation Maeght de Saint Paul
- Lisbon Images, Museo Municipal de Faro
- De leur temps (2) Art Contemporain et Collections Privées, Musée de Grenoble
- Les Temps Modernes, Domaine de Kerguénnec – Centre d’Art Contemporain, Bignan
|
2006 |
- Seville Biennial (BIACS 2) curated by Okwui Enwezor
- Glaskultur - Qué pasó con la trasparéncia, Centre d’Art la Panera, Lérida
- Peintres de la Vie Moderne Modern-life Painters – Donation – caisse des Dépôts’ photograph collection, Centre Pompidou, Musée National d’art Moderne, Paris
- Cross-referenced Messages – Talk with reality in Time, ARTIUM Centro-Museo Vasco de Arte Contemporáneo, vitoria-Gasteiz
|
2005 |
- Wunderkammer; The Artificial Kingdom, The Collection (Usher Gallery City and County Museum), Lincolnshire, Curated by Edward Allington
- Citadinos, Arte y Naturalez Centro de Arte, Madrid
- Miradas de Mujer – 20 Fotógrafas Españolas, Museo de Arte Contemporáneo Esteban Vicente, Sgovia
- Nuevas Tecnología – Nueva Iconografía – Nueva Fotografía, Museo de Arte Abstracto Español, Cuenca
- b.a.-ba un Choix dans la Collection du Frac Bretagne, Domaine de Kerguéhennec – Centre d’Art Contemporain, Bignan
|
2004 |
- El Somni Eròtic, Centre d’Art la Panera, Lérida
- De leur Temps. Collections Privées Françaises, Musée des Beaux-Arts de Tourcoing, Tourcoing
- Nuevas Tecnología – Nueva Iconografía – Nueva Fotografía, Museu d’Art Espanyol Contemporani (Fundación Juan March), Palma de Mallorca
|
2003 |
- After the News, CCCB, Barcelona
|
2002 |
- Colección Falcon Ordóñez, San Sebastián
- Grace & Gravity, Galería Estrany – De La Mota, Barcelona
- Peinture et Photographie, Gabrielle Salomon – Art Conseil, Paris
- Recent Works on Paper, Leo Castelli Gallery, New York
- Approches Critiques : l’expérience Esthétique, galerie Art & Essai, Rennes
- Seeing Things, Victoria and Albert Museum, V&A, London
- Group Show, Leo Castelli Gallery, New York
- The Unblinking Eye, Irish Museum of Modern Art – IMMA, Dublin
- Acquired Works, Irish Museum of Modern Art, Dublín
|
2001 |
- Trois Photographes : Hannah Collins – Fariba Hajamadi – Tracey Moffatt, Gabrielle Salomon – Art Conseil, Paris
- The Language of Things, Kettle’s Yard, Cambridge
- New Works, Museo Reina Sofía, Madrid
- Recent Works on Paper, Leo Castelli Galery, New York
- Group Show, Barbara Krakow Gallery, Boston
- Giorgio Morandi, Artist’s contribution, Tate Gallery, Londres
|
2000 |
- Opening Exhibition, Tate Modern, London
- Evidence : Portraits by Hannah Collins, Frank Egloff, Craigie Horsfield and Sa Schloff, The Barbara Krakow Gallery, Boston
- Façon de Peindre, Gabrielle Salomon – Art Conseil, Paris
- Commissioned print selection, Tate Modern, London
- Deutsche Bank Collection, Deutsche Bank, London
|
1999 |
- Dobles Vidas, Institut de Cultura de Barcelona, Palau de la Virreina, Barcelona
- Insite 98 – Mysterious Voyages : Exploring the subject of Photography, Contemporary Museum, Baltimore
- Dobles Vidas, Museo de Textil, Barcelona
- Ragtime, Galeria Estrany de la Mota, Barcelona, Galeria Helga de Alvear, Madrid
- Sublime. The Darkness and the Light, John Hansard Gallery, Angel Row Gallery
- Fora de Camp, Metronom, Barcelona
- Four Walls Film Programme, National Theatre, London
- Invisible Museum, House, Cairo
|
1998 |
- Chime. Tinking Aloud, Kettle’s Yard, Cambridge, Cornerhouse, Manchester; Camden Arts Center, London
- Fiction Intimes, Fundacion Miro, Barcelona, Espace Electra
- Paved With Gold, Kettle’s Yard, Cambridge
- De Composition – Photography Group Show, Ileana Tounta Contemporary Art Centre, Athens
- DeComposition – Photography from Britain, Macedonian Museum of Contemporary Art, Thessaloniki
- Contact, City Poster Project, Cardiff
|
1997 |
- Surroundings, Tel Aviv Museum of Art, Tel Aviv, Israel
- The City and The Stars, Galeria Luis Serpa Projects, Lisbon
- Paved with Gold, Kettle’s Yard, University of Cambridge
- Landscape. The Pastoral to the Urban, Centre for Curatorial Studies, Bard College, Annandale on Hudson Nueva York
|
1996 |
- Prospect 96, FrankfurtExergue, Centre d’Art Contemporain, FRAC Basse Normandie, Caen
- Exergue, Centre d’Art Contemporain, FRAC Basse Normandie, Caen
- Constructions, Galerie Laage Salomón, Paris
- Le Monde Après la Photographie, Villa Arson, Nice, Francia
- Warworks, Canadian Centre for Photography, Toronto, Canada
- Photography. Art Vehicle / Art Material, Contemporary Art Gallery, Krakow, Poland
- Absolute Landscape, Yokohama Museum, Japón
- Desert, Ikon Gallery, Birminghan, John Hansard Gallery, Southampton Gallery, Inglaterra
|
1995 |
- Warworks, Victoria and Albert Museum, London and touring
- Sites of Being, Institute of Contemporary Art, Boston
- British Sculpture, Weltkunst Collection, Irish Museum of Modern Art, Dublín
- Le monde aprés la Photographie, Musée d’Art Moderne, Villaneuve d’Ascq, Francia
- Vues Intérieures, Fonds Regional d’Art Contemporain Bretagne, Chateugrion, France
- Incidentes, Xunta de Galicia, Casa Parra, Santiago de Compostela
|
1994 |
- Image / Image, Museum of Ghent, Belgium
- A Positive View, The Saatchi Gallery, London
- Los Géneros de la Pintura, Museo Español de Arte Moderno, Madrid Centro Atlántico de Arte Moderno, Gran Canaria, España
|
1993 |
- Salón de los 16, Palacio Velázquez, Madrid; Auditorio de Galicia, Santiago de Compostela, España
|
1992 |
- In Vitro, Fundació Joan Miró, Barcelona
- The Last Days, Salas del Arenal, Expo’92 Sevilla
- Twelve Stars, Arts Council Gallery, Belfast; City Art Centre, Edinburgh; Barbican Art Gallery, London
|
1991 |
- European Photography Award Exhibition, Künstler Werstatt Bahnoff, Berlin
- Out of Limbo, Fundación Luis Cernuda, Sevilla
- De-Composition, British Council, touring exhibition
- Portraits, Barbara Krakow Gallery, Boston
- Art et Essai, Université de Rennes, Francia
|
1990 |
- Stuart Regen Gallery, Los Angeles
- To Be or Not to Be, Centre d’Art Santa Mònica, Barcelona
- British Artists in Russia, Kiev, Ukraine, Moscow
- Images in Translation, Modern Art Museum, Kyoto, Japón
- The Sybilline Eye, Künstlerwerstatten, Munich
|
1989 |
- That Which Appears is Good…, Tanja Grunaert Gallery, Cologne
- Une Autre Objectivité, Centre National des Arts Plastiques, Paris
- Malasia, Galería la Máquina Española, Madrid
- Portraits, Contemporary Art Foundation, Amsterdam
- Shifting Focus, Arnolfini Gallery, Bristol; Serpentine Gallery, London
- Polaroid Works, Victoria and Albert Museum, London
- L’invention d’un Art, Centre Georges Pompidou, Paris
|
1988 |
- Australian Biennale, Sydney and Melbourne, Australia
- Aperto’88, Venice Bienial, Italy
- A British View, Für Gestaltung Museum, Zurich
- Another Objectivity, Institute of Contemporary Art, London
- Matter of Facts, Musée des Meaux-Arts, Nantes; Musée d’Art Moderne, Saint Étienne
- Nobody's Fool, De Appel Gallery, Amsterdam
- The Revenge of Recollection, Forum Stadtpark, Graz, Austria
|
1987 |
- The British Edge, Institute of Contemporary Art, London
- Towards a Bigger Picture, Victoria and Albert Museum, London
- The Big Picture, The New Photography, John and Mable Ringling Museum, Florida and touring
- Under the Sign of Saturn, Nigel Greenwood Gallery, London
|
1986 |
- Antidotes to Mandess, Riverside Studios, London
|
