Hannah Collins

Selected Bibliography

Print
Finding, Transmitting, Receiving book cover

Writings by the Artist

Scripts

Interviews

  • West, Richard. Interview for Source magazine, Source magazine, 2008
  • Gili, Marta. Gestes, Printemps de septembre, Rendez-vous des images contemporaines, Toulouse, 2003
  • How to Stay Hungry, An Interview with Hannah Collins by Becky Beasley, ed. Grey Area Books, London, March 2003
  • Talking Photography, An interview with Shirley Read, Oral History, British Library National Sound Archive, 2003
  • Without Walls, The Turner Prize, Produced by John Wyver, Illuminations, 1993
  • A Conversation with Hannah Collins, Signs of Life, Michael Corris, 3rd Istanbul Biennal Catalogue, ed. British Council, London, 1992

Books and Catalogues by the Artist

Monographs and Exhibition Catalogues

  • Barroso, Edouard Paz. Hannah Collins, wandering episodes. Museu Municipal de Faro, 2007
  • Blazwick, Iwona. Excessive Visions, Centre d’Art Santa Monica, Barcelona, Departament de Cultura, 1993
  • Brea, Jose Luis. The Land of the Last Men (stories), Centre d’Art Santa Monica, Departament de Cultura, Barcelona, 1993
  • Condo, George. Hannah Collins, Galeria Joan Prats, Barcelona, 1992
  • Cork, Richard. Secular Shrines, Colindale Hospital Project, Public Art Development Trust, London, 1993
  • Durand, Regis. The World of Hannah Collins/Le Monde de Hannah Collins, Filming Things, Centre national de la photographie, Paris, 1997
  • LaVoie, Vicent. La Mina, VOX, Centre de l’image contemporaine, Montreal, Canada, 2004
  • Legallais, Catherine. A Worldwide Homesickness, In the Course of Time, Koldo Mitxelena Kulturunea, San Sebastian, 1996
  • Legallais, Catherine. Le faste étrange des perles et des coraux, Profil d’une collection, FRAC Basse-Normandie, France 1995
  • Noble, Richard. Bird Land, The Street, CAC Malaga, Ayuntamiento de Malaga 2002
  • Peran,Marti. Transitional Spaces, Hotel of Being, Galeria Joan Prats, Barcelona, 2002
  • Renton, Andrew. An Image taken (away) and a site wherein it may be recalled,The Hunter’s Space, Chisenhale Gallery, London 1995
  • Stimson, Blake. Bonjour Madamoiselle Collins, The Street, CAC Malaga, 2002
  • Tarantino, Michael. The Façade of the Objective/La Façade de L’Objective, Filming Things, Centre nationale de la photographie, Paris 1997

Texts, Articles, Essays

  • Aliaga, Juan Vicente. MALAISE, Gallery La Maquina Espanola, catalogue, Madrid, 1989
  • Allington, Edward. Hannah Collins, SLADE Issue 3, 2002
  • Altaio, Vincenç, Stonefree, Tinglado 2, Tarragona, 1992
  • Baqué, Dominique. En Guise d’épilogue: Admirations, Photographie Plasticienne, L’Extrême Contemporain, Editions du Regard, 2004
  • Blasswick Iwona, Foreword, Finding, Transmitting, Receiving, Black Dog Publishing, 2007
  • Blasswick Iwona, The Hunter’s Space, Portfolio magazine, No. 21. Edinburgh 1995
  • Blazwick, Iwona and Wilson, Simon. Tate Modern, The Handbook, London 2001, reprinted 2002. pp137
  • Bonet, Juan Manuel. Citadanos, Arte y Naturaleza, Madrid,, 2004
  • Brea, José Luis. Los Ultimos Días, Pabellón de España, Expo Seville, 1992
  • Button, Virginia. A History of the Turner Prize, Tate Gallery Publishing, London 1997. pp 98-100
  • Cameron, Dan. To be Or Not To Be, Centre d'Art Santa Monica, Barcelona, 1991
  • Cameron, Dan. Hannah Collins, Artforum, October, New York 1994
  • Campany, David. Art and Photography, Phaidon, 2003
  • Cassián Yde, Nizaiá. Las Seducciones de la Alteridad. Sobre “Historia en curso” de Hannah Collins en Caixa Forum, a-desk Crítica y Arte, 2008
  • Chevrier, Jean-Francois and James Lingwood. Une Autre Objectivite, CNAP, Paris 1989.
  • Collins, Hannah. Today, tomorrow and the next day, Irish Museum of Modern Art, Dublin, 1996
  • Corris, Michael. The Vulnerable Image, Lapiz No. 89, Madrid, 1993
  • Combalia, Victória. Hannah Collins”, El Pais, Madrid, 1993
  • Durand, Regis. Le Monde après la photographie”, Musee D’Art Moderne, Cat., Villeneuve Dascq, Lille 1995
  • Enwezor, Okwui. The Unhomely, Phantom Scenes in Global Society, BIACS2, 2nd Seville Biennial 2006
  • Fernandez Cortez, Manuel. Interview, Scope Magazine, Autumn 2002
  • Foster, Alicia. Tate Women Artists, Tate Publishing, London 2004. pp 188-9
  • Frisinghelli, Christine and Willman, Manfred. Revenge of Recollection, Camera Austria, Graz 1990
  • Grandes, Teresa. Hannah Collins: el transcurso del tiempo, Arte y Parte (magazine), Summer, Madrid 1996.
  • Guerra, Carles. Mesurar La Veritat II de Hannah Collins, La Vanguardia, September 2002
  • Guerra, Carlos. Despues de la Noticia, Publicaciones CCCB, Barcelona, 2003.
  • Haworth-Booth, Mark. European Photography Prize, Berlin 1991
  • Haworth-Booth, Mark. Things, A spectrum of Photography 1850 – 2001, Victoria and Albert Museum, pp125,126, 2004
  • Hoet, Jan. Image7Image, Ghent, 1994
  • Horne, Kathryn. In with the outcasts, The Times, 30th September, 2003
  • Lavoie, Vincent. Histoire Tiede, Parachute, February 1998.
  • Legallais, Catherine. Le Nomadisme Hybride d'Hannah Collins, Art Press, no 165, Paris, 1992
  • Lingwood, James. Hannah Collins, Institute of Contemporary Art, London, 1988
  • Matos, Dennys. What is the City? Citadanos,, Arte y Naturaleza, Madrid, 2004
  • Ramirez, Juan Antonio. Los Géneros de la Pintura, Museo Español de Arte Moderno, Madrid, 1994
  • Renton Andrew, The Street / A Home in Three Places (Somewhere on the Road Between Jerusalem to Tel Aviv), La Calle/The Street, CAC Malaga, p42, 2003/4
  • Riley, Robert R. La Mina, Forum 2004, Barcelona, Spain, 2004
  • The Photo Book, Phaidon Press, 2001.
  • Thompson, Jon. The Sublime Moment: The Rise of the Critical Watchman, Sublime: The Darkness and the Light, Cat., Arts Council, 1999
  • Wilson, Simon. The Turner Prize, Tate Gallery Catalogue, London 1993.
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